The eminently Campy Gunther does this all the damn time. The song is memorable not only for its bouncy hook ( borrowed from Andrea True) and Indecipherable Lyrics, but for the contrast between the brother's raspy, wheezy vocals and the sister's sugar-sweet, delicate vocals. 
"Steal My Sunshine" by LEN, a brother-sister duo from Canada. Dusty, already famed for her low, sultry voice, had a noticeably rougher edge to her voice after years of smoking, and sang the low part alongside Neil Tennant's boyish, nasal tenor. Another Gender Flip: "What Have I Done To Deserve This?" by Pet Shop Boys and Dusty Springfield. An example where the male and female roles are inverted: Aretha Franklin and George Michael's "I Knew You Were Waiting". Not to mention with Leonard Cohen on "Joan of Arc" and pretty much any of his more recent albums. Jennifer Warnes duetting with Joe Cocker on "Up Where We Belong" and then later with Bill Medley on "Time of My Life". "Iss cummin' oop, iss cummin' oop, iss cummin' oop, iss DARE!". Massive Attack have worked with Shara Nelson, Tracey Thorn, Nicolette, Sara Jay, Elizabeth Fraser, Sinéad O'Connor, etc. Trip-hop forerunner Tricky has frequently collaborated with delicate-voiced Martina Topley-Bird. In this case she provided both voices: one track is her natural voice, the other is a drastically slowed down demonic growl. Kate Bush used it in 1985 with "Waking The Witch". The 1970s pop group Boney M may have been the progenitors of this sound with several of their singles, such as the song "Rasputin". 
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#KAMELOT WHERE THE WILD ROSES GROW ALISSA WHITE GLUZ MANUAL#
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